Practically Information
Showing 3 posts tagged Kansas
the scourge of mermaids and minotaurs
kryz:
“U.S. Senator Sam Brownback today with Senator Mary Landrieu (D-LA) introduced the Human-Animal Hybrid Prohibition Act of 2009. “This legislation works to ensure that our society recognizes the dignity and sacredness of human life,” said Brownback. “Creating human-animal hybrids, which permanently alter the genetic makeup of an organism, will challenge the very definition of what it means to be human and is a violation of human dignity and a grave injustice.” The Human-Animal Hybrid Prohibition Act would ban the creation of human-animal hybrids. Human-animal hybrids are defined as those part-human, part-animal creatures, which are created in laboratories, and blur the line between species.”— From the website of Sen. Sam Brownback (R-Kansas), the scourge of mermaids and minotaurs everywhere.
Haha, this is the funniest and/or saddest legislative initiative out there. I thought the Human-Animal Hybrid paranoia was a Bush thing. I mean, is this seriously discussed in the Senate?
Kansas once again looks STELLAR on the national scene!
[Flash 9 is required to listen to audio.]
The Top 35 Or So Songs of the 80’s
#13: The Embarrassment - Celebrity Art Party
American post-punk is full of nervous nerds. The New York no wave scene turned bleakness and anxiety into contorted, self-destructive anti-rock. Devo channeled an “Uncontrollable Urge” and traced the devolution of our species. The Talking Heads played the outsiders-looking-in and charted with “Psycho Killer” and “Life During Wartime”. The Feelies mused about “The Boy With The Perpetual Nervousness” and invented Weezer with their first album.
Fitting squarely within this tradition are the Embarrassment, the best Wichitan bar-band you’ve never heard of. The band once described their music as “blister pop”, and 1981’s “Celebrity Art Party” pops, blisters, and pops blisters. The volatile, angular guitars and trenchant lyrics leads one to suspect that the band are trying their damnedest to crash that artistic, narcissistic party. A nerd-rock coup d’état? Well, the Embos were certainly nerds.
Postscript: The above is a verbatim copy of my tuneage post from a few months ago. I like it well enough, but we’re older and wiser now and I have to make the case for this song as one of the decade’s best. What makes it such an incredible rock song is the lack of pretense: this is loud and fast rock music with attitude. It surges with vitality, and the jabs at artistes are more radical than reactionary—the band sounds positively dangerous here. As an old Embos flyer says: BEER & LOUD MUSIC—WHAT ELSE IS THERE?
the best band to ever come out of Wichita. easily.
By practicallyinfo Posted on Tuesday, 2 August 2011

Two things:
It’s 111 here right now. Fuck this noise.
Also, it’s “Fair”? Nope. And it feels like it’s 109? Is there a come around point when it comes to “Feels Like”? Tom thinks it might be cyclical…
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